Eccentric Film List

March 15th, 2010

If you like films, or eccentrics, or even eccentric films, go to this web site. Be forewarned - it’s constructed with technology left over from 1995. Meaning it’s a home page with links to three (count ‘em, 3) Microsoft Word documents. That’s it.

BUT … one of those Word docs is a list of 9,331 English language movies IN ORDER. Precisely, “The Best, Most Important and the Most Beloved English Language Films of the 20th Century”.

Brad Bourland works in a grocery store in Austin, TX, and has apparently devoted the last 10 years of his free time to not only viewing most of these films, but reading on line and in books about what other people thought/think of them. He has somehow objectified the opinions of many sources - critics, fans, etc - on genres, actors, directors, and films to produce this masterpiece of analysis.

The Hurt Locker

March 11th, 2010

Unlike most who were watching the Oscars last weekend, I had actually seen The Hurt Locker, Kathryn Bigelow’s double winner for direction and best picture. I got lucky with my Netflix queue and had it in hand by the end of February, so I feel obligated to share my review.

Ms. Bigelow has an extensive directorial resume which includes a number of TV police procedural episodes. Also, during the ‘90s, she made a couple of flawed but memorable action pictures. Point Break starred Patrick Swayze as a bank robbing adrenaline junkie, with Keanu Reaves as his FBI nemesis. Featuring big surf, sky diving, and buddy bonding, the final scene of Swayze surfing into the oblivion of a 100 year storm off the Australian coast while the long-haired Reeves looks wistfully out to sea is an indelible portrait of longing and wish fulfillment, two hallmarks of romantic male youth.

Strange Days, a millennial dystopian near future exploration of cyber snuff tapes, features Ralph Fiennes in a simple chase movie, enlivened only by the sci-fi elements and the always mysterious Juliette Lewis.

In The Hurt Locker, Bigelow dispenses with most of the trappings of a standard Hollywood film, such as an expository introduction, indicative music, stable cameras, and character resolution. She even kills off a couple of the bigger stars she’s sprinkled into the film, just adding to the pervasive sense of unease. In location, story, word, and deed, we do not know where we are, just like the bomb defusers she follows for a month in Bravo company in the early days of Iraq War II.

The result, however, provides a superior drama of both the work, and three men who do it. Jeremy Renner plays Sgt, 1st Class William James, assigned to the Bravo IED Hummer after the previous Sgt. realises a second too late where the danger is coming from. He eschews the high tech little robot tank they’d been using, with middling success, in favor of a camo-coloured Michelin Man suit topped by what seems to be a diving bell. After 800+ successful defusings, he figures he’s either good or lucky, and it doesn’t really matter to him which.

Anthony Mackie, previously seen as a rapper in Notorious and 8 Mile, is Sgt. J.T. Sanborn, the cautious foil to Brown. Serving as the equivalent to a sniper’s spotter, he tries (and usually fails) to keep Brown on task. A climatic fire fight in the desert has them swapping roles, and serves to bond these rivals, epitomized by the subsequent scene of them bashing each other oblivious while drunk in celebration.

Brian Geraghty is Spc. Owen Eldridge, who is the trembling baby of the bunch, lulled into action by the mundane tones of soldier speak around him - give him his orders, and  he calms right down. Back on base, however, he seeks help from an Army shrink, who ultimately shows he knows less about combat and its resolution than the charges he is supposed to be healing.

Bigelow is clearly trying to present a real-life portrait of IED disposal and the surrounding conflict, without bias either for or against the war. She is so agnostic that Cheryl, about half way through the film, turned to me and asked, “Why are we even there?” The Hurt Locker provides no answers, pro or con, simply a portrait of three men at work, work which could kill them at any moment.

[Now, is it really the Best Picture of 2009? Among the ones I’ve seen (Up, Avatar, Inglorious Basterds, District 9) it does not stand out. All five of these pictures are equally entertaining, and stylistically unique. I suspect it is better than Blind Side and Up and Away (both made in the standard Hollywood mold and style), and I’ll withhold judgement on Precious and A Serious Man until I see them, but I would guess they would fit in with the first five I mentioned.]

The Amazing Adventures of Kavalier and Clay

March 6th, 2010

I know I love a book when I end it slowly, savoring the luminous, maudlin feeling of saying goodbye to a new friend I’ll never see for the first time again. Michael Chabon’s The Amazing Adventures of Kavalier and Klay put me in that dreamland only possible with a long immersion in someone else’s real made up world.

Chabon, in this and other novels like The Yiddish Policemen’s Union, brings his power from the three cardinal elements of story telling: a clear, vibrant and engaging narrative; characters who are real, alive, and changing (some you like, and some you don’t); and a surfeit of surprising words and audacious phrases.

From these tools he crafts a doorway into a world foreign but, by story’s end, familiar and edifying. That world is set in the real time and place of New York, circa 1941 and 1954. The world centers on Josef Kavalier and Samuel Klayman. Cousins, born just after the Great War, they meet when Joe arrives one night thrust intot he unsuspecting Sammy’s bed by Mrs. Klayman, having arrived on a harrowing journey from Prague, escaping the tightening noose around all Jews in Central Europe.

Of K & K’s 638 pages, only 90 are spent out of New York, both involving Joe’s Adventures. His escape from Prague is mesmerizing, starting with his apprenticeship to Bernard Kornblum, one of Europe’s greatest illusionists. Several years after learning from Kornblum how to pick locks, hide cards, and escape from bags, boxes, and watery depths, Joe’s family pools all its money for bribes, only to have him stopped at the border by guards, tipped off by the corrupt officials who allowed him to leave in the first place. Too embarrassed to return to his family, he seeks shelter with his former mentor, who happens to be charged with secreting the Golem of Prague to Lithuania.

In Jewish folklore, a golem is an animated anthropomorphic being created entirely from inanimate matter. This one is made of clay from the banks of the Moldau (Vltava) as it flows through Prague. Legend has it he was animated by rabbi Judah Loew ben Bezalel to fight the persecution and sequestration of the Jews into a ghetto at that time. 400 years later, he is unable to save all the Jews, only helping one young man escape inside the rigged coffin which carries him to the Baltic.

Sammy is introduced through his relationship with his father, the Mighty Molecule. Sort of a Jewish Jack LaLanne, the diminutive Alter Klayman travels around the country performing amazing feats of strength, sending money but not his love, periodically back to his abandoned family. Sammy suffers from the after effects of polio, with withered weakened legs and a shambling gait.

Joe had spent his time after Kornblum in art school. Sammy notices his drawings, and immediately conceives a partnership to jump on the comic book superhero bandwagon, just then building steam across the country on the backs of Superman and others. Their character, the Escapist, models Joe’s intense desire for revenge against the Germans and the Nazis, and brings millions to his owner, Sammy’s boss Sheldon Anapol and his brother-in-law, Jack Ashkenazy. Sam and Joe are paid well, but sign away their rights to their creations in the initial contract. Being young and eager, they see this as a good bargain at the time.

Their search for artists to fill in the panels of their books entangles them with Rosa Luxembourg Sax, a young bohemian living in Greenwich VIllage with her father, who has renamed himself Longman Harkoo. The walls of his home’s three flights of stairs are lined with 7000 snapshots of himself. He wears a Brownie camera around his neck, and, whenever he meets someone new, he insists on posing for a picture, seeking the inner being of the photographer in his own portrait.

Rosa and Joe hit it off, while Sammy finds his own path to love. But on the night of December 6-7, separate personal tragedies afflict them all. Coupled with the attack on Pearl Harbor, this sends Joe into the Navy and Rosa and Sammy, eventually, to Levittown (named Bloomtown in the novel).

While in service, Joe ends up in Antarctica. In another 50 pages of powerful evocative story telling, Chabon crams an entire world of polar adventure, tragedy, and redemption. A mad pilot, suffocated dogs, a German geologist, and an endless, sunless winter contrive to send Joe back home, 12 long years later, to reunite with Rosa and Sammy.

This novel won the Pulitzer Prize in 2000, and it’s easy to see why. Chabon is in total control of his craft and the world he creates. Despite the funny, adventurous tone, and the setting in a childish genre - comic books - Chabon is writing for adults who gain pleasure from multiple levels of meaning. At its core, this is a story of self-made men, who literally re-build themselves from their own clay. To emphasize, Chabon juxtaposes the Golem of clay with Sammy, who changes his name, for artistic purposes, from Klayman to Clay. And Joe, throughout his adventures, remains self-confident, almost cavalier.

If you haven’t met up with Chabon before, try this or The Yiddish Policemen’s Union. He’s also responsible for The Mysteries of Pittsburgh, Wonder Boys (movie of the same name), and Summerland.

Duke Ellsworth Hanna III, MD

February 26th, 2010

Cheryl’s father, Duke, died Monday morning, Feb. 22nd. Here are the obituary and eulogy which she wrote for him.

DUKE ELLSWORTH HANNA, III

Dr. Duke Ellsworth Hanna III, neurological surgeon, was born to Duke and Alice Morehouse Hanna, in Indianapolis, Indiana on July 24, 1923. He passed away on Monday, February 22, 2010 in the comfort of his home, surrounded by family and dedicated caregivers.
Dr. Hanna devoted his professional life to medicine.  In March 1945, he married his favorite nurse, Eleanor Jane Myron Hanna and then graduated with his medical degree from Indiana University in 1946.  He served as a Lieutenant (JG) of the US Navy and was stationed in Long Beach, CA and later in Hawthorne, NV. He completed the Neurosurgical Residency at the University of Chicago (1951-1954). He began to practice neurosurgery in Indiana, but remarked that he would rather be “a little fish in a big sea than a big fish in a little sea”, so in 1956, the young family moved to the Southland.

Dr. Hanna spent his most active years practicing neurosurgery at Santa Monica Hospital, St. John’s Hospital, Centinela Hospital, and UCLA Medical Center.  During those years, he served as Chief of Neurological Surgery at St. John’s Hospital and was an Assistant Clinical Professor of Neurological Surgery at UCLA. He co-authored a medical textbook, Illustrative Cranial Neuroradiology (1967), working diligently to render radiographic studies sufficiently well to translate to the printed page. This was a difficult, laborious feat in the age of traditional darkroom technology.

Duke was a focused, determined, and intelligent man, applying those qualities to his hobbies:  championship bird dogs, photography, and aviation. Jane’s companionship, warmth, and extroversion was essential to bring out Duke’s lighter and more playful side. One thing Duke didn’t do well was to tell jokes: he would sometimes come to the dinner table, start in on a story, then laugh so hard he couldn’t get to the punch line.  Watching him laugh made us laugh especially in contrast to his usual serious and quiet  mien. After the children were grown, he and Jane traveled frequently to both remote and cosmopolitan places around the world and enjoyed a wide variety of friends.

Duke is predeceased by his wife, Jane, and his two younger brothers, Robert Hanna (Fortuna CA) and Lyle A. Hanna (Tempe, AZ). Duke is survived by children: Anita Fullbright (Carl) of Fortuna, CA, Cheryl Hanna-Truscott (Al) of Gig Harbor, WA, and Robert Hanna of Fortuna, CA; grandchildren and great-grandchildren. He leaves sisters-in-law, Glenora Hanna (Tempe, AZ), Ann Hanna (Chatsworth, CA) and Nancy Wolters (Los Angeles, CA and Seymour, IN) and nieces and nephews.

A memorial service will be held on Saturday, February 27, 2010, at the Gates, Kingsley, and Gates Mortuary, 1925 Arizona Ave., Santa Monica. Viewing and reception will be from 1:00-3:30 pm with a service starting at 3:30 pm. Final interment will be at the Sunrise Cemetery in Fortuna, CA, on Saturday, March 13. In lieu of flowers, contributions will be gratefully accepted in Memory of Duke Hanna by HCAR-Sequoia Center/Art Studio, 1707 E. Street, Suite 2, Eureka, CA 95501 (707) 443-7077. HCAR is a non-profit organization enriching the lives of the developmentally disabled and has directly benefitted their son, Robert.

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Eulogy of Our Father

I volunteered to share the offspring point of view since in dividing the load, Anita showed a much greater facility for organizing almost everything to do with the aftermath of dying and funeral arrangements. Our skills appear to be quite complementary: While Anita needed to lose herself ticking off her check lists, making dozens of phone calls, and formatting announcements and programs, I allowed myself the grace of experiencing the emotional complexity and dove deep into memories collected over nearly 61 years.  In sharing my personal memories and thoughts about Duke Ellsworth Hanna III, I hope some of mine will resonate with some of your own.

We have all heard the cliché, “It’s not exactly brain surgery or rocket science.”  Whenever I hear that, I admit to having a certain quiet pride that my dad actually was a brain surgeon. There is a great mystique surrounding a person who would be called into that profession and today we are here to share memories, impressions, and recollections about the brain surgeon that ALL of us in this room knew something about.

One of my first memories of my dad happened when I was probably five years old and he was a neurosurgical resident at the University of Chicago. One time, he took me to the science lab where I remember the caged monkeys with mercurochrome stains on shaved fur. We passed by a sink and my father picked up a gelatinous mass in his bare hands. “This,” he said with a twinkle in his eye, “is a brain tumor.” I remember having a mixed feeling of fascination, disgust, and awe. Mostly fascination. He made me feel important when he shared that with me.

I remember that Duke was really, really good at making fudge and peanut butter sandwiches, hold the jelly. He was hapless in the kitchen other than doing those two things.

I remember frequently seeing my dad with a camera dangling from his neck while our mom was nearby with a beautiful and ready smile.

I remember his arduous call schedule, switching off with Eric Yuhl, his partner, and these were the days before pagers and cell phones. When we went to a very occasional restaurant or movie, he had to notify the manager where he would be sitting in case a telephone exchange operator had to notify him of an emergency.  In those earlier days, the invention of beepers was a curse and a blessing… mostly a blessing.

I remember a road trip my dad and I took together when I was around 13. We headed off to Saskatchewan, Canada where his bird dogs were training during the summer. We left in the family station wagon that he had customized with a souped-up engine and a race-car type of gear shift. This car was a concession to my mom and our family needs because he would rather have kept his little sport car. He drove nonstop the entire distance from Los Angeles to the Canadian border, just finally stopping the next night because the area was very rural and finding our destination in the dark would have been very difficult.

I remember coming home from a date and hearing the phone ring. I thought it might be my boyfriend needing to tell me something so I picked up the phone receiver. It was an operator telling my dad there was an emergency at the hospital. She went on to state that the “fluid leaking out of the accident victims ears was the consistency of toothpaste.”  Imagine getting a call like that in the middle of the night.

I remember the worry on his face when he would tell me to stay away from “murder cycles” and “body surfing.” He knew all too well the toll those sports took on young, local residents.

I remember watching a film he made about a type of neurosurgical procedure. The film was rather gruesome and bloody, but he made it more fun when he replayed the film in reverse. Watching it that way, I got to see the bloody mess all nicely patched up in the end when the scalpel went in reverse neatly zipped up the dry and intact skin.

Our dad was a deeply focused, serious, and introverted man. One night, he seemed particularly reflective and inward. As I sat watching him with his books out on the dining table, he looked at me and talked about the operation he had to do the next day. I felt so flattered because he wasn’t a talkative person and didn’t often share his thoughts. He was worried about the surgery and told me he had to do a really good job because his patient was a young woman and would leave her children motherless if he failed.

When I was thinking about goals I set for my own life, I asked him how he ever got through all the learning and studying and hours of work and sleep-deprivation to finally end up being a brain surgeon. He told me very simply, “I just did it one day at a time.”

He loved his profession. And he pursued his hobbies with almost the same degree of focus and drive. He was always impatient and baffled by people who claimed to want to do something or achieve a goal but then made excuses about why they couldn’t follow through. He just didn’t get it. His philosophy about that was similar to the Nike slogan, “Just do it!”

It’s hard to know whether the life and death profession he practiced chose him or he chose it.  His personality and his profession combined to thwart emotional expression to a degree that played havoc with his personal relationships.  Handling emotions was harder for him than for most people. I believe that as a result, this led to the development of chronic health problems making his last two decades progressively difficult. Physicians, especially of his era, often have a hard time healing themselves.

We all depended on several wonderful, responsible caregivers at the end of Duke’s life. A few weeks ago when I phoned, I told him I knew he had been having a hard time lately and I told him I was planning a trip to LA at the end of March. I asked if he wanted me to come sooner. In a barely audible voice, he said, “Yes.” I repeated my question because he had never asked me to come. Again, he said, “Yes.”

Two weeks ago, Duke accepted hospice care. The experience of witnessing his suffering was difficult for all of us: his children, Nancy, and his competent caregivers. He was conscious for several visitors and then slowly, his spirit seemed to ebb away. When he took his last breath, he had loving people surrounding him in the comfort of home.  We are sad to lose him but grateful that his spirit took a daring leap and that his suffering is over. We all know that he had better things to look forward to.